Thursday, 26 February 2015

Outfit of the Day...


 Outfit of the day post, It wasn't that cold today and I was going out to see friends and have drinks so I thought I would opt for something with layers so I could take them off if I got too hot and also something I could easily transition into an evening outfit!

My makeup was typical and simple as always, I use Dior Nude Natural Glow Radiant foundation in Linen 021, Sephora Black Liquid Eye Liner, Bobby Brown eyeshadow in Grey, Mac Light gold eyeshow, and I left my lips natural, although in the evening I wacked on Mac's All Out Gorgeous mineralize rich lipstock



So...
My bandana was from Primark, brillant to keep my curls in order
My top is from Brandy Melville - http://www.brandymelvilleusa.com/clothing/tops.html
Faux Fur Gillet - (It'd actually my mum's) H&M
Jeans - Topshop lowrise Joni jeans ( I slit the knees myself)
Grey Pumps - Primark (£2 BARGIN)
Jewellery - Brandy Melville/Pandora/Topshop and my signet ring





Saturday, 21 February 2015

Monochrome Marble - Trend Forecast A/W 16/17


Monochrome Marble

My third trend incorporates a 60’s monochrome colour palette theme, but with a more futuristic approach. My key inspiration for this theme came from the recent New York Fashion Week, where Caroline Herrera showed her catwalk line; http://newyorkfashionweeklive.com/carolina-herrera-mercedes-benz-fashion-week-fw-2015/



For my trend I used the inspiration from Herrera and also the fluidity of the pattern on her garments. Marble was a key theme that stood out to me and intrigued me to think of how this trend could be pushed into the industry.





Key words:

Marble, stipple, speckle, hard, flowing, broken, catalyst

Materials:

Cotton, canvas material, batik, wool, acrylic, nylon

Colour:

White, hues of grey, hues of black, strong black

Carolina was quoted in saying she doesn’t like looking into the past for inspiration, although the designer turned 76 last month she seems to be becoming less conventional and pushing into a more futuristic approach to inspiration for each of her new lines. Earlier in the season her line saw a botanical and natural world theme, and she seems to have progressed with this into the fall by choosing to explore ‘water’. ‘Her approach was both literal and abstract’


One of the pieces stood out to me, the most forward-leaning look, was an ivory techno jersey top accompanied by a long blue bias-cut skirt with a single ruffle rippling down the side, wasn't really about embellishments at all. The modernity was in the efficiency and glamour of its cut.




Images from Style.com



More Inspiration came from the blog, Pattern Curator although this board called blue moon doesn’t have a monochrome colour palette, it illustrated the fluidity of colour that I think that marble can also show. This is popular at the moment within a street style area of the fashion industry.





Metamorphism causes variable recrystallization of the original carbonate mineral grains, to explain this simply original when metamorphism occurs marble is always created uniquely. Each piece of marble is not the same. This I think is the key to this trend, with the rise in street style and people searching for uniqueness in their style marble as well as having an interesting and futuristic look to it, is unique, unless factory made in mass, each piece could be made different. Also from this the monochrome theme emerges, monochrome has trended in the past mainly encouraging statement pieces and accessories. Marble gives monochrome a softer edge, therefore enabling it to move away from the mainstream statement pieces.



Monochrome marble would work well as a modern interiors look but also as a garment textile pattern; marble could be manipulated into different patterns. Personally I think marble monochrome pointed flats would look brilliant.



Rusted Edge - Trend forecast for A/W 16/17


Rusted Edge

For this second trend I gained inspiration from another blog called Pattern Curator; http://patterncurator.org/about/. This is an insightful forecast of mood boards and color stories. I found two boards on the blog, which gave me some clues for my rusted edge theme, the two boards are…


Cinnamon chai:                                                          Rust and Stardust:                                                    




I created my mood board for my trend with two key themes in mind, bold colour and also rust. I think this theme would suit Autumn Winter with is autumnal colour palette as well at the materials it would work well with.





Key words:
Depth, colour, bold, uncontrolled, oxidize, tarnish, remote

Materials:
Silk, batik, batiste, chiffon, soft woods

Colour:
Orange, red, brown, hues of blue and green, grey, white


More inspiration for this trend came from Giles Deacon’s ‘Macabre Romanticism’ for an Autumn Winter catwalk in 2012. Deacon described his line as the dark tale of a fleeing damson running from the flames of a burning country mansion. The prints that he used through out told a story of bejeweled burnt tapestries, frosted woodland or thistles, rose caught in there own thrones. The actual structure of the garments had a Victorian look, but with a captivating bewitching fluidity.






Images from fashioning.com.


Rusted edge is a colour pop trend that emphasizes autumn to the fullest. By bringing in a theme such as rust, there are many textile patterns that can be explored through this. Rust has such a variety of colour palette it can be used almost like a marble effect, or a colour pops to excel an outfit. Using Deacon and the blogs inspiration I looked into how this trend could be used, I think it will be a popular trend for architecture or interior design, using soft woods and marbling effect with a range of colour along with fur furnishings. Much like Deacon’s line a story could be told through the variety of emotion that the colour palette offers, I think the trend would also be popular for accessories in fashion, having a pop of colour.

Also in the recent fall 15 fashion shows, recently shown in New York there was a strong theme of orange and blood reds, from Victoria Beckham’s structured high collared coat to Neem Khan’s Ombre gown which he gave a lose flowing structure to.

Friday, 20 February 2015

New York, Fashion Week - H&M talk about sustainability!

I found this really interesting article about how H&M are making a forward thinking movement to become more sustainable.





H&M Pushes Growth, Talks Sustainability
Sharon Edelson


NEW YORK — H&M’s ambitious agenda — which includes expanding its product offerings, creating another stand-alone brand and opening more and more stores worldwide — may seem at odds with sustainability and human rights. But not to Karl-Johan Persson, managing director of Hennes & Mauritz AB.

The Swedish retailer this year will open nearly 365 stores — almost one of every day of the year — and the size of those stores is increasing. At a time when retailers such asWal-Mart Stores Inc. and Target Corp. are building smaller units, H&M in June unveiled a 57,000-square-foot flagship on Fifth Avenue and 48th Street here, and a 63,000-square-foot unit will bow on West 34th Street here next year. H&M delivers dozens of new styles daily to its stores, a massive logistical effort repeated 3,388 times around the world. 

Persson defends the retailer’s seemingly endless quest for growth — even as he acknowledges most consumers have enough “stuff.” In his view, H&M needs to grow because “consumption creates lots of jobs. To consume less of everything could have a negative effect on the economy. Sometimes, when we’re speaking about fastfashion, it’s connected to a negative impact on the world. The customer is getting good value for their money. It creates taxes and jobs in developed countries and creates a lot of jobs in the developing world. The one thing is the environment. The right response is to continue consuming, but to consume from companies that are responsible. Tesla is a great example. They’re cracking the code.”

Of course, Persson believes H&M is another responsible company. “On the environmental side, we want to continue to grow while respecting planetary boundaries,” he said. “We have to change how fashion is made. We have to make more with less. We have to go from a linear model to a circular model. We recycle in all stores the H&M brand and other brands. We’ve collected 8,000 tons of garments. We’re closing the loop, getting fibers or yarns back into production again. We’re investing in finding new materials and recycling Tencel. Our R&D is finding solutions for fibers that can be reused and at scale. We’re optimizing this so it can be scaled up. If we do this, we’ll have a major positive impact on the world.” 

To the frequent contention that fast fashion is disposable, Persson said, “We want to make fashion affordable, so it’s not throwaway fashion. We see a trend of a lot of companies growing in the low-price area. We want to offer good design and affordable, good quality. We’re investing in improving the quality.” 

Persson discussed H&M’s future in an interview following a speech he gave at the BSR 2014 Conference here.

The company’s portfolio includes H&M, COS, Monkey, Cheap Monday and & Other Stories. “We’re looking into new ideas to broaden the H&M concept portfolio,” Persson said in the interview. “It’s too early to talk about, but we’re developing another concept. It’s a new brand. We’re also broadening the H&M brand and developing new categories. We’re constantly growing at H&M, and when we find new concepts that the consumer likes — like sportswear, shoes and home — we’ll make sure we have the space in stores to showcase them.” 

H&M was slow to join the e-commerce wagon, launching a transactional site 13 years after its arrival in the U.S. in August 2013. “We’re working a lot on omnichannel,” Persson said. “We’re working on scanning and buying products in store, click and collect, and returning in stores. All stores will be able to access online [e-commerce]. We see our online shop growing faster than our physical stores. We have to find ways to make the in-store experience better and more exciting. One way is customer service. It’s a work in progress.”

The retailer is looking for growth in the U.S. and China, and new markets such as Australia, India, Peru and South Africa. With global sales of $17 billion in 2013, H&M is the second-largest apparel retailer in the world after Zara parent Inditex. The global apparel market is estimated to be $1.1 trillion.

“Do [we] want to be the number-one fashion company in the world,” Persson asked, rhetorically. “When I’ve said, no, people have looked at me like I’m not telling the truth. We want to become the biggest and we could expand quicker in the race to be number one, but who knows where that will take us. If we become number one, we become number one. If it’s three or 10 or one, it will happen [organically].”

Regardless of Persson’s attitude toward growth, the retailer has been castigated for its emphasis on low prices, which naturally lead to low wages in third-world countries where it sources, especially Bangladesh and Cambodia.

“When you look at costs, H&M produces different materials but using the same suppliers as some high-end brands,” he said, arguing that the price consumers are charged for a product doesn’t necessarily impact wages.

During his speech at BSR, Persson said that H&M last year launched with experts and global trade unions a fair living wage road map. “It’s a complex issue,” he said. “It’s based on a four-way collaboration between H&M, our suppliers, the suppliers’ workers and the government [of Bangladesh]. 

“Higher wages will mean higher prices,” he added. “Are we prepared to pay higher prices without passing them along to the consumer? Yes. It’s already impacting margins. All the pressures are coming from analysts and investors. You have to be prepared to sacrifice short-term profits for long-term profits. There’s too much short-term thinking, especially in the fashion industry. It’s bad for the environment. There is a lot more that can be done from the standpoint of the industry. We’re not in any way alone, but there are companies that are not doing enough.”

Persson said H&M has to “buy more evenly, buy smarter and work with suppliers and the Fair Wage Network, an independent organization. Extreme poverty is falling by 90,000 people every day. We’re leading the way in countries like Bangladesh. Since 1991, the number has been halved. I was in Bangladesh a month ago to visit factories. Overtime has been reduced and wages have increased. We’re investing in training for technical skills and negotiating skills. We’re working with the government to make sure they enforce the labor laws and that salaries are revised annually.” 

In its 2013 sustainability report, H&M surprised the fashion industry by listing the names of most, but not all, of its 1,700 factories. “We were a bit hesitant about releasing the list of factories where we do business due to the competition,” Persson said. “We thought we should get it out there and make the fashion industry more transparent and hopefully inspire others to do the same.” The company is now working with the Sustainable Apparel Coalition to develop consumer labeling called the Higg Index that takes into account everything from a product’s raw materials to its end-of-life solutions. 

H&M is the world’s biggest buyer of 100 percent sustainable cotton, and the fiber’s share of the total H&M collection is growing and will continue to increase. “We don’t charge more for organic cotton, even though it’s costing us more,” Persson said. H&M is also developing new care labels with Gintex, called Clevercare that remind consumers of the climate impact of washing clothing, and encourages behavioral changes to reduce the environmental footprint of fashion consumption.

H&M’s goal of 100 percent sustainability by 2020 is ahead of schedule, Persson said. His commitment to sustainability and human rights, he said, comes from his grandfather, who in 1947 founded the company. “My grandfather often spoke of the importance of long-term thinking,” he said, “that a business must have wider responsibilities than just building profits.”

Wednesday, 18 February 2015

Escapism: Trend Forecast for A/W 16/17


Escapism



The first trend I decided to look into I found inspiration from Gudy Herder’s a trend blogger from Barcelona. In her blog, Eclectic Trends she has recently posted a series of trend analysis for Autumn/winter 16/17. The key board and post that inspired my trend ‘Escape’ is called, Wonderland which introduces feelings of Nordic shores, escapism and also the limitation of being completely alone.


It can be found here: http://frame.bloglovin.com/?post=3514813871&group=0&frame_type=a&context=expanded_post&context_ids=&blog=2437575&frame=1&click=0&user=0





Created this mood board myself



I liked the way that Gudy included key words and materials into her mood boards’, I think this gives the board a broader depth as well as emphasizing the key themes of the imagery. I created my own to go with the idea of escapism.

Key words: 

Oblivion, cold, ice, fantasy, evasion, elusion, flight

Materials: 

Natural fibers, cotton, sheer mesh, wool, chiffon, Fur

Colour: 

White, nude, cold blue, grey hue’s, petrol

I researched past trends and designers who have dabbled in themes such as elusion and fantasy but who have a minimalist thought. I came across Escapism Couture created by the talented fashion/ 3D digital designer Iris van Harpen, Harpen created a futuristic line which featured at the Haute Couture Fashion Week in Paris for Summer/Spring 2011, the line was a mixture of fashion, 3D design and art.





There is a strong influence of ‘wandering into oblivion’ and becoming lost in remote places. The cold atmospheric colours represent the loneliness and also the still calm that you would be subjected to. Like if you found yourself in a Nordic distant place by yourself, designers have no guide with a theme like this. Many spears have been made of the idea of oblivion and ‘the unknown’ its almost verging on fantasy. The colour palate suggests snow and ice, freely floating and fluidly moving in open water. I think water is a key upcoming trend or colour palette.



A photographer I felt added emphasis to the idea of escapism is Kirsty Mitchell, who until 2007 was senior fashion designer but then turned to fashion photography. Through her own emotional struggle she has produced an online gallery depicting a fairy tale image of emotion. Looking through her work I came across Nocture; http://kirstymitchellphotography.com/galleries/nocturne/ a gallery of images I felt really related to the theme Escapism. Although the colour palate in the images brings across a deeper darker side of the theme, they still posses the ice-cold emotion. My original inspiration from Herder had, had previous links with botanical themes so again I felt this all supported my theme.





I feel this trend could apply to furniture or graphic design, clothing design, accessories and also photography.